Showing posts with label love. Show all posts
Showing posts with label love. Show all posts

Saturday, July 27, 2013

Love Me by sara teasdale

Brown-thrush singing all day long
In the leaves above me,
Take my love this April song,
"Love me, love me, love me!"

When he harkens what you say,
Bid him, lest he miss me,
Leave his work or leave his play,
And kiss me, kiss me, kiss me!

Thursday, July 25, 2013

I Would Live In Your Love by sara teasdale

I would live in your love as the sea-grasses live in the sea,
Borne up by each wave as it passes, drawn down by each wave that recedes;
I would empty my soul of the dreams that have gathered in me,
I would beat with your heart as it beats, I would follow your soul
as it leads.

I Thought of You by sara teasdale

I thought of you and how you love this beauty,
And walking up the long beach all alone
I heard the waves breaking in measured thunder
As you and I once heard their monotone.

Around me were the echoing dunes, beyond me
The cold and sparkling silver of the sea --
We two will pass through death and ages lengthen
Before you hear that sound again with me.

Saturday, July 13, 2013

"It Is Not a Word" by sara teasdale

It is not a word spoken,
Few words are said;
Nor even a look of the eyes
Nor a bend of the head,

But only a hush of the heart
That has too much to keep,
Only memories waking
That sleep so light a sleep.

"I Have Loved Hours at Sea" by sara teasdale

I have loved hours at sea, gray cities,
The fragile secret of a flower,
Music, the making of a poem
That gave me heaven for an hour;

First stars above a snowy hill,
Voices of people kindly and wise,
And the great look of love, long hidden,
Found at last in meeting eyes.

I have loved much and been loved deeply --
Oh when my spirit's fire burns low,
Leave me the darkness and the stillness,
I shall be tired and glad to go.

"Did You Never Know?" by Sara Teasdale

Did you never know, long ago, how much you loved me --
That your love would never lessen and never go?
You were young then, proud and fresh-hearted,
You were too young to know.

Fate is a wind, and red leaves fly before it
Far apart, far away in the gusty time of year --
Seldom we meet now, but when I hear you speaking,
I know your secret, my dear, my dear.


Tuesday, July 9, 2013

Tie Your Heart At Night To Mine, Love, by pablo neruda

Tie your heart at night to mine, love,
and both will defeat the darkness
like twin drums beating in the forest
against the heavy wall of wet leaves.

Night crossing: black coal of dream
that cuts the thread of earthly orbs
with the punctuality of a headlong train
that pulls cold stone and shadow endlessly.

Love, because of it, tie me to a purer movement,
to the grip on life that beats in your breast,
with the wings of a submerged swan,

So that our dream might reply
to the sky's questioning stars
with one key, one door closed to shadow.

Thursday, June 27, 2013

Love, We're Going Home Now by pablo neruda

Love, we're going home now,
Where the vines clamber over the trellis:
Even before you, the summer will arrive,
On its honeysuckle feet, in your bedroom.

Our nomadic kisses wandered over all the world:
Armenia, dollop of disinterred honey:
Ceylon, green dove: and the YangTse with its old
Old patience, dividing the day from the night.

And now, dearest, we return, across the crackling sea
Like two blind birds to their wall,
To their nest in a distant spring:

Because love cannot always fly without resting,
Our lives return to the wall, to the rocks of the sea:
Our kisses head back home where they belong.

Love by pablo neruda

What's wrong with you, with us,
what's happening to us?
Ah our love is a harsh cord
that binds us wounding us
and if we want
to leave our wound,
to separate,
it makes a new knot for us and condemns us
to drain our blood and burn together.

What's wrong with you? I look at you
and I find nothing in you but two eyes
like all eyes, a mouth
lost among a thousand mouths that I have kissed, more beautiful,
a body just like those that have slipped
beneath my body without leaving any memory.

And how empty you went through the world
like a wheat-colored jar
without air, without sound, without substance!
I vainly sought in you
depth for my arms
that dig, without cease, beneath the earth:
beneath your skin, beneath your eyes,
nothing,
beneath your double breast scarcely
raised
a current of crystalline order
that does not know why it flows singing.
Why, why, why,
my love, why?

Wednesday, June 26, 2013

From – Twenty Poems of Love by pablo neruda

I can write the saddest lines tonight.

Write for example: ‘The night is fractured
and they shiver, blue, those stars, in the distance’

The night wind turns in the sky and sings.
I can write the saddest lines tonight.
I loved her, sometimes she loved me too.

On nights like these I held her in my arms.
I kissed her greatly under the infinite sky.

She loved me, sometimes I loved her too.
How could I not have loved her huge, still eyes.

I can write the saddest lines tonight.
To think I don’t have her, to feel I have lost her.

Hear the vast night, vaster without her.
Lines fall on the soul like dew on the grass.

What does it matter that I couldn’t keep her.
The night is fractured and she is not with me.

That is all. Someone sings far off. Far off,
my soul is not content to have lost her.

As though to reach her, my sight looks for her.
My heart looks for her: she is not with me


The same night whitens, in the same branches.
We, from that time, we are not the same.

I don’t love her, that’s certain, but how I loved her.
My voice tried to find the breeze to reach her.

Another’s kisses on her, like my kisses.
Her voice, her bright body, infinite eyes.

I don’t love her, that’s certain, but perhaps I love her.
Love is brief: forgetting lasts so long.

Since, on these nights, I held her in my arms,
my soul is not content to have lost her.

Though this is the last pain she will make me suffer,
and these are the last lines I will write for her.

Friday, June 14, 2013

Sonnet CXVII by william shakespeare

Accuse me thus: that I have scanted all
Wherein I should your great deserts repay,
Forgot upon your dearest love to call,
Whereto all bonds do tie me day by day;
That I have frequent been with unknown minds
And given to time your own dear-purchased right
That I have hoisted sail to all the winds
Which should transport me farthest from your sight.
Book both my wilfulness and errors down
And on just proof surmise accumulate;
Bring me within the level of your frown,
But shoot not at me in your waken'd hate;
Since my appeal says I did strive to prove
The constancy and virtue of your love.

Thursday, June 13, 2013

Sonnet CXLV by william shakespeare

Those lips that Love's own hand did make
Breathed forth the sound that said 'I hate'
To me that languish'd for her sake;
But when she saw my woeful state,
Straight in her heart did mercy come,
Chiding that tongue that ever sweet
Was used in giving gentle doom,
And taught it thus anew to greet:
'I hate' she alter'd with an end,
That follow'd it as gentle day
Doth follow night, who like a fiend
From heaven to hell is flown away;
'I hate' from hate away she threw,
And saved my life, saying 'not you.'

Saturday, June 1, 2013

Sonnet 137: Thou blind fool, Love, what dost thou to mine eyes by william shakespeare

Thou blind fool, Love, what dost thou to mine eyes
That they behold and see not what they see?
They know what beauty is, see where it lies,
Yet what the best is, take the worst to be.
If eyes corrupt by overpartial looks,
Be anchored in the bay where all men ride,
Why of eyes' falsehood hast thou forgèd hooks,
Whereto the judgment of my heart is tied?
Why should my heart think that a several plot
Which my heart knows the wide world's common place?
Or mine eyes seeing this, say this is not
To put fair truth upon so foul a face?
In things right true my heart and eyes have erred,
And to this false plague are they now transferred.

Sonnet 13: O, that you were your self! But, love, you are by william shakespeare

O, that you were your self! But, love, you are
No longer yours than you yourself here live.
Against this coming end you should prepare,
And your sweet semblance to some other give.
So should that beauty which you hold in lease
Find no determination; then you were
Yourself again after yourself's decease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold
Against the stormy gusts of winter's day
And barren rage of death's eternal cold?
O, none but unthrifts! Dear my love, you know,
You had a father; let your son say so.

Wednesday, May 29, 2013

Love by william shakespeare

TELL me where is Fancy bred,
Or in the heart or in the head?
How begot, how nourished?
   Reply, reply.
It is engender'd in the eyes,
With gazing fed; and Fancy dies
In the cradle where it lies.
   Let us all ring Fancy's knell:
   I'll begin it,--Ding, dong, bell.
All. Ding, dong, bell.

Monday, April 29, 2013

The education of the young mind by peter stavropoulos

The education of the young mind
Took place
Behind closed doors
Because that mind -
Initially free -
Had to be
Taught
The value of freedom.

The education of the young mind
Took place
In an open space
Because that mind -
Once closed -
Had to be
Set free
To explore itself.

Not waiting to be hurt again by peter stavropoulos

Not waiting to be hurt again
I hurt myself
In the most unjust way.

Not wanting to be hurt again
I direct the pain
To strike me in the most painful way.

Never tired of grief
I grieve for what I've lost
Losing it one more time.

I didn't mean to say goodbye by peter stavropoulos

I didn't mean to say goodbye
I only meant to go
To leave as quietly as I came
And to feign a hello.

Sunday, April 28, 2013

The Story of a Poem (Narrative Poem) by peter stavropoulos

Prepared to ridicule himself, this fool
Is guarded against the jibes
Of those he thinks less inclined to self-criticism.
How then is he to gauge his faults
And turn them into something worthwhile?

How can he define his foolishness
If uncertain as to the extent of his limitations?
How can he begin to accept the advice of others -
'Go jump! ' 'Take a good hard look at yourself! ' 'Grow up! ' -
If he isn't prepared to be objective?

Unprepared to accept objectivity as objective
'I know what I know', he spouts
Ill-mannered, inconsiderate and obstinate.
How is he to assume the more demanding role
Of the one being spoken to?

No words, it seems,
Can convince him of his stupidity.
No words, that is,
Except his own.
Um.... ah.... um.... a poem takes form.

Ironically, loneliness is his theme
Nothing else can say what he wants to say.
Happiest is he, when miserable
Exposing his misery for all the world to see.
No one, it seems, is quite as miserable as he.

He takes care not to say too much
In case,
To make his point
He admits (in the mode of a tragic figure)
That there is nothing to say.

Logically, 'there is nothing to say' explains
His actions
Although failing to describe
What bothers him.
It seems that that can only be other people.

In them, real feelings express themselves
And a challenge presents itself for him to understand them
No matter
It is they not understanding him
That concerns me.

As querulous as it may sound
It is their obsession with 'reality'
That he objects to.
No amount of persuasion can convince them
That his feelings are real.

'Such as absurd notion demands an explanation'
He hears them say, but he is only prepared
To go on dreaming -
Observing others observing him
Observing them.

His sincerity
Isn't expressed in conventional terms.
Unbeknownst to them, he cares
And unknowingly they add to his suffering
As they refuse to acknowledge his feelings.

His suffering -
A product of a trivial pursuit
For universal meanings -
Is compounded by those who think him
Lacking.

***

Lacking in those human qualities
He most desires
He turns to someone, who,
Without her knowing,
Possesses them for him.

Kindly, she admits him -
Herself lacking the assurance
To comprehend the extent of his need.
She feels for him
As one would a child, an innocent, a poet.

His feelings exist in her eyes,
And his failings form
His 'uniqueness' -
A reason
For loving him.

Sufficent reason, in itself,
For him to love her.
Nevertheless he feels
An even greater need
To justify his feelings.

Their differences,
His reliance on her
And, equally,
Hers on him
Need explaining.

As others see it
Their differences contain the germs of disunity,
And in their interdependence, signs of submission.
Again they see things in 'real terms'
Neglecting to take into account the power of the imagination.

She isn't what she appears to be
Her beauty transcends experience
With all pain absorbed in her -
He shares in her happiness
And is privy to her sensitivity.

She instills in him a new faith,
Another reason to write -
A belief in humanity.
This is what he must explain
To those who think him foolish.

But he remains aloof
Barred by a certain quirk in his character -
Whenever he tries to be serious
He gives the impression
Of being insincere.

When he tries to explain his feelings
It's as if he is the one
Who needs to be convinced -
His new found faith seems void
Without someone else to believe it.

Yet people want to listen
And give him the chance he's been looking for -
The chance to prove himself to them.
They're not heartless,
And would rather not judge anyone unfairly.

The truth is, however,
That he is such a fool
That he needs to hear his own words
From someone else's mouth
Before he can believe them.

.Woman of my imagination's dreams by peter stavropoulos

Wonderful Woman
Wonderous Woman
Woman of my imagination's dreams

How did you find me?
How do I know you?

Wonderful Woman
Wonderous Woman

It is you I have longed for
Yet still I long for you

Woman of my imagination's dreams
Wonderful Woman
Wonderous Woman

How you have loved me
Yet how I have loved you

Woman of my dreams